Ok, now that I've blogged my way through the 100 top movies of all time according to the American Film Institute, let's take a list at the two lists I used. One was published in 1998 and the follow-up in 2007. Despite the fact that only a few years passed between the two lists, there were significant differences in the lists:
Film Release Year 1998 rank 2007 rank
Citizen Kane 1941 1 1
Casablanca 1942 2 3
The Godfather 1972 3 2
Gone with the Wind 1939 4 6
Lawrence of Arabia 1962 5 7
The Wizard of Oz 1939 6 10
The Graduate 1967 7 17
On the Waterfront 1954 8 19
Schindler's List 1993 9 8
Singin' in the Rain 1952 10 5
It's a Wonderful Life 1946 11 20
Sunset Boulevard 1950 12 16
The Bridge on the River Kwai 1957 13 36
Some Like It Hot 1959 14 22
Star Wars 1977 15 13
All About Eve 1950 16 28
The African Queen 1951 17 65
Psycho 1960 18 14
The General 1927 — 18
Chinatown 1974 19 21
One Flew Over the Cuckoo's Nest 1975 20 33
The Grapes of Wrath 1940 21 23
2001: A Space Odyssey 1968 22 15
The Maltese Falcon 1941 23 31
Raging Bull 1980 24 4
E.T. the Extra-Terrestrial 1982 25 24
Dr. Strangelove 1964 26 39
Bonnie and Clyde 1967 27 42
Apocalypse Now 1979 28 30
Mr. Smith Goes to Washington 1939 29 26
The Treasure of the Sierra Madre 1948 30 38
Annie Hall 1977 31 35
The Godfather Part II 1974 32 32
High Noon 1952 33 27
To Kill a Mockingbird 1962 34 25
It Happened One Night 1934 35 46
Midnight Cowboy 1969 36 43
The Best Years of Our Lives 1946 37 37
Double Indemnity 1944 38 29
Doctor Zhivago 1965 39 —
North by Northwest 1959 40 55
West Side Story 1961 41 51
Rear Window 1954 42 48
King Kong 1933 43 41
The Birth of a Nation 1915 44 —
A Streetcar Named Desire 1951 45 47
A Clockwork Orange 1971 46 70
Taxi Driver 1976 47 52
Jaws 1975 48 56
Snow White and the Seven Dwarfs 1937 49 34
Intolerance 1916 — 49
Butch Cassidy and the Sundance Kid 1969 50 73
The Lord of the Rings: The Fellowship of the Ring 2001 — 50
The Philadelphia Story 1940 51 44
From Here to Eternity 1953 52 —
Amadeus 1984 53 —
All Quiet on the Western Front 1930 54 —
The Sound of Music 1965 55 40
MASH 1970 56 54
The Third Man 1949 57 —
Fantasia 1940 58 —
Rebel Without a Cause 1955 59 —
Nashville 1975 — 59
Raiders of the Lost Ark 1981 60 66
Vertigo 1958 61 9
Sullivan's Travels 1941 — 61
Tootsie 1982 62 69
Stagecoach 1939 63 —
Cabaret 1972 — 63
Close Encounters of the Third Kind 1977 64 —
The Silence of the Lambs 1991 65 74
Network 1976 66 64
The Manchurian Candidate 1962 67 —
Who's Afraid of Virginia Woolf? 1966 — 67
An American in Paris 1951 68 —
Shane 1953 69 45
The French Connection 1971 70 93
Forrest Gump 1994 71 76
Saving Private Ryan 1998 — 71
Ben-Hur 1959 72 100
The Shawshank Redemption 1994 — 72
Wuthering Heights 1939 73 —
The Gold Rush 1925 74 58
Dances with Wolves 1990 75 —
In the Heat of the Night 1967 — 75
City Lights 1931 76 11
American Graffiti 1973 77 62
All the President's Men 1976 — 77
Rocky 1976 78 57
The Deer Hunter 1978 79 53
The Wild Bunch 1969 80 79
Modern Times 1936 81 78
Spartacus 1960 — 81
Giant 1956 82 —
Sunrise: A Song of Two Humans 1927 — 82
Platoon 1986 83 86
Titanic 1997 — 83
Fargo 1996 84 —
Duck Soup 1933 85 60
A Night at the Opera 1935 — 85
Mutiny on the Bounty 1935 86 —
Frankenstein 1931 87 —
12 Angry Men 1957 — 87
Easy Rider 1969 88 84
Patton 1970 89 —
The Sixth Sense 1999 — 89
The Jazz Singer 1927 90 —
Swing Time 1936 — 90
My Fair Lady 1964 91 —
Sophie's Choice 1982 — 91
A Place in the Sun 1951 92 —
The Apartment 1960 93 80
Goodfellas 1990 94 92
Pulp Fiction 1994 95 94
The Last Picture Show 1971 — 95
The Searchers 1956 96 12
Do the Right Thing 1989 — 96
Bringing Up Baby 1938 97 88
Blade Runner 1982 — 97
Unforgiven 1992 98 68
Guess Who's Coming to Dinner 1967 99 —
Toy Story 1995 — 99
Yankee Doodle Dandy 1942 100 98
Twenty-three films from the original top 100 films list were removed in 2007:
39. Doctor Zhivago (1965)
44. The Birth of a Nation (1915)
52. From Here to Eternity (1953)
53. Amadeus (1984)
54. All Quiet on the Western Front (1930)
57. The Third Man (1949)
58. Fantasia (1940)
59. Rebel Without a Cause (1955)
63. Stagecoach (1939)
64. Close Encounters of the Third Kind (1977)
67. The Manchurian Candidate (1962)
68. An American in Paris (1951)
73. Wuthering Heights (1939)
75. Dances with Wolves (1990)
82. Giant (1956)
84. Fargo (1996)
86. Mutiny on the Bounty (1935)
87. Frankenstein (1931)
89. Patton (1970)
90. The Jazz Singer (1927)
91. My Fair Lady (1964)
92. A Place in the Sun (1951)
99. Guess Who's Coming to Dinner (1967)
Four films released between 1996–2006 were added:
50. The Lord of the Rings: The Fellowship of the Ring (2001)
71. Saving Private Ryan (1998)
83. Titanic (1997)
89. The Sixth Sense (1999)
Nineteen films made before 1996 were also added:
18. The General (1926)
49. Intolerance (1916)
59. Nashville (1975)
61. Sullivan's Travels (1941)
63. Cabaret (1972)
67. Who's Afraid Of Virginia Woolf? (1966)
72. The Shawshank Redemption (1994)
75. In the Heat of the Night (1967)
77. All the President's Men (1976)
81. Spartacus (1960)
82. Sunrise (1927)
85. A Night at the Opera (1935)
87. 12 Angry Men (1957)
90. Swing Time (1936)
91. Sophie's Choice (1982)
95. The Last Picture Show (1971)
96. Do the Right Thing (1989)
97. Blade Runner (1982)
99. Toy Story (1995)
Sunday, July 8, 2012
Saturday, July 7, 2012
Citizen Kane (70th Anniversary Ultimate Collector's Edition) [Blu-ray]
#1 on both the 1998 and 2007 AFI Top 100 Movies list!
Citizen Kane is a 1941 American drama film, directed by and starring Orson Welles. It was released by RKO Pictures, and was Welles's first feature film. The film was nominated for Academy Awards in nine categories; it won an Academy Award for Best Writing (Original Screenplay) by Herman Mankiewicz and Welles. Citizen Kane has been voted the greatest film of all time in each of the last five Sight & Sound's polls of critics, and is particularly praised for its innovative cinematography, music and narrative structure.
The story is a film à clef that examines the life and legacy of Charles Foster Kane, played by Welles, a character based in part upon the American newspaper magnate William Randolph Hearst and Welles's own life. Upon its release, Hearst prohibited mention of the film in any of his newspapers. Kane's career in the publishing world is born of idealistic social service, but gradually evolves into a ruthless pursuit of power. Narrated principally through flashbacks, the story is revealed through the research of a newsreel reporter seeking to solve the mystery of the newspaper magnate's dying word: "Rosebud."
After his success in the theatre with his Mercury Players and his controversial 1938 radio broadcast of War of the Worlds, Welles was courted by Hollywood. He signed a contract with RKO Pictures in 1939. Unusual for an untried director, he was given the freedom to develop his own story and use his own cast and crew, and was given final cut privilege. Following two abortive attempts to get a project off the ground, he developed the screenplay of Citizen Kane with Herman Mankiewicz. Principal photography took place in 1940 and the film received its American release in 1941.
A critical success, Citizen Kane failed to recoup its costs at the box office. The film faded from view soon after but its reputation was restored, initially by French critics and more widely after its American revival in 1956. Many film critics consider Citizen Kane to be the greatest film ever made, which has led Roger Ebert to quip: "So it's settled: Citizen Kane is the official greatest film of all time." In addition to the Sight & Sound polls, it topped the AFI's 100 Years... 100 Movies list and its 10th Anniversary Update.
The film was released on Blu-ray on September 13, 2011 for a special 70th Anniversary Edition
Friday, July 6, 2012
Casablanca (70th Anniversary Limited Collector's Edition Blu-ray/DVD Combo)
#2 (1998) and #3 (2007) on the AFI Top 100 Movies List
Casablanca is a 1942 American romantic drama film directed by Michael Curtiz, starring Humphrey Bogart, Ingrid
Bergman and Paul Henreid, and featuring Claude Rains, Conrad Veidt, Sydney Greenstreet, Peter Lorre and Dooley Wilson. Set during World War II, it focuses on a man torn between, in the words of one character, love and virtue. He must choose between his love for a woman and helping her and her Czech Resistance leader husband escape from the Vichy-controlled Moroccan city of Casablanca to continue his fight against the Nazis.
Although it was an A-list film, with established stars and first-rate writers—Julius J. Epstein, Philip G. Epstein and Howard Koch received credit for the screenplay—no one involved with its production expected Casablanca to be anything out of the ordinary; it was just one of hundreds of pictures produced by Hollywood every year. The film was a solid, if unspectacular, success in its initial run, rushed into release to take advantage of the publicity from the Allied invasion of North Africa a few weeks earlier. Despite a changing assortment of screenwriters frantically adapting an unstaged play and barely keeping ahead of production, and Bogart attempting his first romantic lead role, Casablanca won three Academy Awards, including Best Picture. Its characters, dialogue, and music have become iconic, and the film has grown in popularity to the point that it now consistently ranks near the top of lists of the greatest films of all time.
The play's cast consisted of 16 speaking parts and several extras; the film script enlarged it to 22 speaking parts and hundreds of extras. The cast is notable for its internationalism: only three of the credited actors were born in the U.S. The top-billed actors were:
* Humphrey Bogart as Rick Blaine. Earlier in his career, he had been typecast as a gangster. High Sierra (1941) had allowed him to play a character with some warmth, but Rick was his first truly romantic role.
* Ingrid Bergman as Ilsa Lund. Bergman's official website calls Ilsa her "most famous and enduring role". The Swedish actress's Hollywood debut in Intermezzo had been well received, but her subsequent films were not major successes—until Casablanca. Film critic Roger Ebert calls her "luminous", and comments on the chemistry between her and Bogart: "she paints his face with her eyes". Other actresses considered for the role of Ilsa included Ann Sheridan, Hedy Lamarr and Michèle Morgan. Wallis obtained the services of Bergman, who was contracted to David O. Selznick, by lending Olivia de Havilland in exchange.
* Paul Henreid as Victor Laszlo. Henreid, an Austrian actor who emigrated in 1935, was reluctant to take the role (it "set [him] as a stiff forever", according to Pauline Kael), until he was promised top billing along with Bogart and Bergman. Henreid did not get on well with his fellow actors; he considered Bogart "a mediocre actor", while Bergman called Henreid a "prima donna".
The second-billed actors were:
* Sydney Greenstreet as Signor Ferrari, a rival nightclub owner. Another Englishman, Greenstreet had previously starred with Lorre and Bogart in his film debut in The Maltese Falcon.
* Peter Lorre as Signor Ugarte. Lorre, who was born in Austria-Hungary, had left Germany in 1933.
* Claude Rains as Captain Louis Renault. Rains was an English actor born in London. He had previously worked with Michael Curtiz on The Adventures of Robin Hood. He later appeared in Alfred Hitchcock's Notorious with Ingrid Bergman.
* Conrad Veidt as Major Heinrich Strasser. He was a German actor who had appeared in The Cabinet of Dr. Caligari before fleeing from the Nazis and ironically was best known for playing Nazis in U.S. films.
Also credited were:
* Curt Bois as the pickpocket. Bois was a German Jewish actor and another refugee. He had one of the longest careers in film, making his first appearance in 1907 and his last in 1987.
* Leonid Kinskey as Sascha, the Russian bartender infatuated with Yvonne. He was actually born in Russia.
* Madeleine LeBeau as Yvonne, Rick's soon-discarded girlfriend. The French actress was Marcel Dalio's wife until their divorce in 1942.
* Joy Page as Annina Brandel, the young Bulgarian refugee. The third credited American, she was studio head Jack Warner's stepdaughter.
* John Qualen as Berger, Laszlo's Resistance contact. He was born in Canada, but grew up in America. He appeared in many of John Ford's movies.
* S. Z. Sakall (credited as S. K. Sakall) as Carl, the waiter. He was a Hungarian actor who fled from Germany in 1939. His three sisters later died in a concentration camp.
* Dooley Wilson as Sam. He was one of the few American members of the cast. A drummer, he could not play the piano. Hal Wallis had considered changing Sam to a female character (Hazel Scott and Ella Fitzgerald were candidates), and even after shooting had been completed, Wallis considered dubbing over Wilson's voice for the songs.
Notable uncredited actors were:
* Leon Belasco as a dealer in Rick's Cafe. A Russian-American character actor, he appeared in 13 films the year Casablanca was released.
* Marcel Dalio as Emil the croupier. He had been a star in French cinema, appearing in Jean Renoir's La Grande Illusion and La Regle de Jeu, but after he fled the fall of France, he was reduced to bit parts in Hollywood. He had a key role in another of Bogart's films, To Have and Have Not.
* Helmut Dantine as Jan Brandel, the Bulgarian roulette player married to Annina Brandel. Another Austrian, he had spent time in a concentration camp after the Anschluss, the annexation of Austria.
* William Edmunds as a contact man at Rick's. He usually played characters with heavy accents, such as Martini in It's a Wonderful Life (1946).
* Gregory Gaye as the German banker who is refused entry to the casino by Rick. Gaye was a Russian-born actor who went to the United States in 1917 after the Russian Revolution.
* Torben Meyer as the Dutch banker who runs "the second largest banking house in Amsterdam". Meyer was a Danish actor.
* Georges Renavent as Conspirator.
* Dan Seymour as Abdul the doorman. He was an American actor who, at 265 pounds, often played villains, including the principal one in To Have and Have Not, and one of the secondary ones in Key Largo, both opposite Bogart.
* Norma Varden as the Englishwoman whose husband has his wallet stolen. She was a famous English character actress.
* Jean Del Val as the French police radio announcer who (following the opening montage sequence) reports the news of the murder of the two German couriers.
* Leo White as the waiter Emile (not to be confused with the croupier Emil), from whom Renault orders a drink when he sits down with the Laszlos. White was a familiar face in many Charlie Chaplin two-reelers in the 1910s, usually playing an upper-class antagonist.
* Jack Benny may have had an unbilled cameo role (claimed by a contemporary newspaper advertisement and reportedly in the Casablanca press book). When asked in his column "Movie Answer Man", critic Roger Ebert first replied, "It looks something like him. That's all I can say." In response to a follow-up question in his next column, he stated, "I think you're right."
Part of the emotional impact of the film has been attributed to the large proportion of European exiles and refugees among the extras and in the minor roles. A witness to the filming of the "duel of the anthems" sequence said he saw many of the actors crying and "realized that they were all real refugees". Harmetz argues that they "brought to a dozen small roles in Casablanca an understanding and a desperation that could never have come from Central Casting". The German citizens among them nevertheless had to keep curfew as enemy aliens. Ironically, they were frequently cast as the Nazis from whom they had fled.
Some of the exiled actors were:
* Louis V. Arco as another refugee in Rick's. Born Lutz Altschul in Austria, he moved to America shortly after the Anschluss and changed his name.
* Trude Berliner as a baccarat player in Rick's. Born in Berlin, she was a famous cabaret performer and film actress. Being Jewish, she left Germany in 1933.
* Ilka Grünig as Mrs. Leuchtag. Born in Vienna, she was a silent movie star in Germany who came to America after the Anschluss.
* Lotte Palfi as the refugee trying to sell her diamonds. Born in Germany, she played stage roles at a prestigious theater in Darmstadt, Germany. She journeyed to America after the Nazis came to power in 1933. She later married another Casablanca actor, Wolfgang Zilzer.
* Richard Ryen as Strasser's aide, Captain Heinze. The Austrian Jew acted in German films, but fled the Nazis.
* Ludwig Stössel as Mr. Leuchtag, the German refugee whose English is "not so good". Born in Austria, the Jewish actor was imprisoned following the Anschluss, the annexation of Austria. When he was released, he left for England and then America. Stössel became famous for doing a long series of commercials for Italian Swiss Colony wine producers. Dressed in an Alpine hat and lederhosen, Stössel was their spokesman with the slogan, "That Little Old Winemaker, Me!"
* Hans Twardowski as a Nazi officer who argues with a French officer over Yvonne. He was born in Stettin, Germany (now Szczecin, Poland).
* Wolfgang Zilzer as a Free French agent who is shot in the opening scene of the movie, was a silent movie actor in Germany who left when the Nazis took over. He later married Casablanca actress Lotte Palfi.
One of the lines most closely associated with the film — "Play it again, Sam" — is a misquotation. When Ilsa first enters the Café Americain, she spots Sam and asks him to "Play it once, Sam, for old times' sake." After he feigns ignorance, she responds, "Play it, Sam. Play 'As Time Goes By'." Later that night, alone with Sam, Rick says, "You played it for her, you can play it for me," and "If she can stand it, I can! Play it!"
Rick's toast to Ilsa, "Here's looking at you, kid", used several times, is not in the draft screenplays, but has been attributed to something Bogart said to Bergman as he taught her poker between takes. It was voted the 5th most memorable line in cinema in AFI's 100 Years…100 Movie Quotes by the American Film Institute.
Six lines from Casablanca appeared in the AFI list, the most of any film (Gone with the Wind and The Wizard of Oz tied for second with three apiece). The other five are:
* "Louis, I think this is the beginning of a beautiful friendship" – 20th
* "Play it, Sam. Play 'As Time Goes By'" – 28th
* "Round up the usual suspects" – 32nd
* "We'll always have Paris" – 43rd
* "Of all the gin joints in all the towns in all the world, she walks into mine" – 67th
Thursday, July 5, 2012
The Godfather Collection (The Coppola Restoration) [Blu-ray]
#3 (1998) and #2 (2007) on the AFI Top 100 Films List
The Godfather is a 1972 American epic crime film directed by Francis Ford Coppola, based on the 1969 novel by Mario Puzo. With a screenplay by Puzo, Coppola and an uncredited Robert Towne,[ the film stars Marlon Brando, Al Pacino, James Caan, Robert Duvall, Sterling Hayden, John Marley, Richard Conte and Diane Keaton, and features John Cazale, Talia Shire, and Abe Vigoda. The story, spanning the years 1945 to 1955, chronicles the experiences of the Italian-American Corleone family. Two sequels followed: The Godfather Part II in 1974, and The Godfather Part III in 1990.
The Godfather received Academy Awards for Best Picture, Best Actor and Best Adapted Screenplay, and has been selected for preservation in the United States National Film Registry. In addition, it had been ranked third – behind Citizen Kane (1941) and Casablanca (1942) – on the AFI's 100 Years…100 Movies list by the American Film Institute, and second when the list was published again in 2007.
Marlon Brando as Vito Corleone, the Don (the "boss") of the Corleone family, formerly known as Vito Andolini. He is the father of Santino (Sonny), Federico (Fredo), Michele (Michael) and Constanzia (Connie) and adoptive father to Tom Hagen. Husband of Carmela Corleone. A native Sicilian.
Al Pacino as Michael Corleone, the Don's youngest son, recently returned from World War II. The only college-educated member of the family, he initially wants nothing to do with the "family business". His evolution from doe-eyed outsider to ruthless boss is the key plotline of the film.
James Caan as Santino "Sonny" Corleone, Don Corleone's hot-headed eldest son. As underboss, he is being groomed to succeed his father as head of the family.
Richard S. Castellano as Peter Clemenza, a caporegime for the family.
Robert Duvall as Tom Hagen, Don Corleone's informally adopted son, he is the family lawyer and consigliere (counselor). He is German-Irish, not Sicilian.
Diane Keaton as Kay Adams-Corleone, Michael's girlfriend and, ultimately, his wife and mother of his children.
John Cazale as Fredo Corleone, the middle son. Deeply insecure and not very bright, he is considered the weakest of the Corleone brothers.
Talia Shire as Constanzia "Connie" Corleone, the youngest child and only daughter. She marries Carlo Rizzi.
Abe Vigoda as Salvatore Tessio, a caporegime for the family.
Al Lettieri as Virgil "The Turk" Sollozzo, a heroin dealer associated with the Tattaglia family.
Gianni Russo as Carlo Rizzi, Connie's husband. Becomes an associate of the Corleone family, and ultimately betrays Sonny to the Barzini family.
Sterling Hayden as Captain McCluskey, a corrupt police captain on Sollozzo's payroll.
Lenny Montana as Luca Brasi, an enforcer utilized by Vito Corleone.
Richard Conte as Emilio Barzini, Don of the Barzini family.
Al Martino as Johnny Fontane, a world-famous popular singer and godson of Vito. Loosely based on Frank Sinatra.
John Marley as Jack Woltz, a powerful Hollywood producer.
Alex Rocco as Moe Greene, a longtime associate of the Corleone family who owns a Las Vegas hotel. Based on Bugsy Siegel.
Morgana King as Carmela Corleone, Vito's wife and mother of Sonny, Fredo, Michael, and Connie, and adoptive mother to Tom Hagen.
Corrado Gaipa as Don Tommasino, an old friend of Vito Corleone, shelters Michael during his exile in Sicily
Johnny Martino as Paulie Gatto, a soldier under Peter Clemenza and Vito's driver.
Victor Rendina as Philip Tattaglia, Don of the Tattaglia family.
Simonetta Stefanelli as Apollonia Vitelli-Corleone, a young girl Michael meets and marries while in Sicily.
Louis Guss as Don Zaluchi, Don of the Zaluchi family of Detroit.
Tom Rosqui as Rocco Lampone, a soldier under Clemenza who eventually becomes a caporegime in the Corleone family.
Joe Spinell as Willi Cicci, a soldier in the Corleone family.
Richard Bright as Al Neri, Michael Corleone's bodyguard. He eventually becomes a caporegime.
Julie Gregg as Sandra Corleone, wife of Sonny
Wednesday, July 4, 2012
Gone with the Wind (Two-Disc 70th Anniversary Edition)
#4 (1998) and #6 (2007) on the AFI Top 100 Movies List
Gone with the Wind is a 1939 American historical epic film adapted from Margaret Mitchell's Pulitzer-winning 1936 novel of the same name. It was produced by David O. Selznick and directed by Victor Fleming from a screenplay by Sidney Howard. Set in the 19th century American South, the film stars Clark Gable, Vivien Leigh, Leslie Howard, Olivia de Havilland, and Hattie McDaniel, among others, and tells a story of the American Civil War and Reconstruction era from a white Southern point of view.
The film received 10 Academy Awards (8 competitive, 2 honorary), a record that stood for 20 years until Ben-Hur surpassed it in 1960. In the American Film Institute's inaugural Top 100 Best American Films of All Time list of 1998, it was ranked fourth, and in 1989 was selected to be preserved by the National Film Registry.The film was the longest American sound film made up to that time – 3 hours 44 minutes, plus a 15 minute intermission, and was among the first of the major films shot in color (Technicolor), winning the first Academy Award for Best Cinematography in the category for color films. It became the highest-grossing film of all-time shortly after its release, holding the position until 1966; after adjusting for inflation, it has still earned more than any other film in box office revenue. As of 2012, there are five surviving cast members from the film.
* Vivien Leigh as Scarlett O'Hara
* Clark Gable as Rhett Butler
* Leslie Howard as Ashley Wilkes
* Olivia de Havilland as Melanie Hamilton
* Thomas Mitchell as Gerald O'Hara
* Barbara O'Neil as Ellen O'Hara
* Evelyn Keyes as Suellen O'Hara
* Ann Rutherford as Carreen O'Hara
* George Reeves as Stuart Tarleton
* Fred Crane as Brent Tarleton
* Hattie McDaniel as Mammy
* Oscar Polk as Pork
* Butterfly McQueen as Prissy
* Victor Jory as Jonas Wilkerson
* Everett Brown as Big Sam
* Howard Hickman as John Wilkes
* Alicia Rhett as India Wilkes
* Rand Brooks as Charles Hamilton
* Carroll Nye as Frank Kennedy
* Laura Hope Crews as Aunt Pittypat
* Eddie Anderson as Uncle Peter
* Harry Davenport as Dr. Meade
* Leona Roberts as Mrs. Meade
* Jane Darwell as Mrs. Merriwether
* Mary Anderson as Maybelle Merriweather
* Ona Munson as Belle Watling
* Ward Bond as Tom, Yankee Captain
* Cliff Edwards as voice of unseen Reminiscent Soldier
* Cammie King as Bonnie Blue Butler
* Mickey Kuhn as Beau Wilkes
* Patrick Curtis as Beau Wilkes (as a baby)
* Greg Giese as newborn Beau Wilkes/newborn Bonnie Blue Butler
* Emily Eby as Grandma Moses
* Paul Hurst as Yankee deserter
* Isabel Jewell as Emmie Slattery
* Yakima Canutt as Shantytown renegade
(The credits in the film contain an error: George Reeves and Fred Crane appear as the Tarleton brothers. Reeves plays Stuart, but is listed as Brent, while Crane, playing Brent, is listed as Stuart.)
As of January 2012, Alicia Rhett (born February 1, 1915), who played India Wilkes, is the oldest surviving cast member. Also surviving are Olivia de Havilland (born July 1, 1916), who played Melanie Wilkes; Mary Anderson (born April 3, 1920), who played Maybelle Meriweather; Ann Rutherford (born November 2, 1920), who played Scarlett O'Hara's younger sister, Carreen O'Hara; and Mickey Kuhn (born September 21, 1932), who played Beau Wilkes.
In an attempt to draw upon his company's profits, but to pay capital gain tax rather than a much higher personal income tax, David O. Selznick and his business partners liquidated Selznick International Pictures over a three-year period in the early 1940s. As part of the liquidation, Selznick sold his rights in Gone with the Wind to Jock Whitney and his sister, who in turn sold it to Metro-Goldwyn-Mayer in 1944. Today it is owned by Turner Entertainment, whose parent company Turner Broadcasting acquired MGM's film library in 1986. Turner itself is currently a subsidiary of Time Warner, which is the current parent company of Warner Bros. Entertainment. The film is the favorite movie of TBS founder Ted Turner, himself a resident of Atlanta.
In 1989, Gone with the Wind was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". In 1998, the American Film Institute ranked it #4 on its "100 Greatest Movies" list.
Rhett Butler's famous farewell line to Scarlett O'Hara, "Frankly, my dear, I don't give a damn", was voted in a poll by the American Film Institute in 2005 as the most memorable line in cinema history.
Leslie Howard's association to the screen character he most disliked, the winsome Ashley, later obscured his solid contribution to the British film industry and his fight to break the silence about the Holocaust.
In 2005, the AFI ranked Max Steiner's score for the film the second greatest of all time. The AFI also ranked the film #2 in their list of the greatest romances of all time (100 Years... 100 Passions).
After filming concluded, the set of Tara sat on the back lot of the former Selznick Studios as the Forty Acres back lot reverted to RKO Pictures and then was sold to Desilu Productions. In 1959, Southern Attractions, Inc. purchased the façade of Tara, which was dismantled and shipped to Georgia with plans to relocate it to the Atlanta area as a tourist attraction. David O. Selznick commented at the time,
Nothing in Hollywood is permanent. Once photographed, life here is ended. It is almost symbolic of Hollywood. Tara had no rooms inside. It was just a façade. So much of Hollywood is a façade.
However, the Margaret Mitchell estate refused to license the novel's commercial use in connection with the façade, citing Mitchell's dismay at how little it resembled her description. In 1979 the dismantled plywood and papier-mâché set, reportedly in "terrible" condition, was purchased for $5,000 by Betty Talmadge, the ex-wife of former Georgia governor and U.S. senator Herman Talmadge. She lent the front door of Tara's set to the Margaret Mitchell House and Museum in downtown Atlanta, Georgia where it is on permanent display, featured in the Gone with the Wind film museum. Other items from the movie, such as from the set of Scarlett and Rhett's Atlanta mansion, are still stored at The Culver Studios (formerly Selznick International) including the stained glass window from the top of the staircase which was actually a painting. The famous painting of Scarlett in her blue dress, which hung in Rhett's bedroom, hung for years at the Margaret Mitchell Elementary School in Atlanta, but is now on permanent loan to the Margaret Mitchell Museum, complete with stains from the glass of sherry that Clark Gable, as Rhett Butler, threw at it in anger.
Tuesday, July 3, 2012
Lawrence of Arabia (Collector's Edition)
#5 (1998) and #7 (2007) on the AFI Top 100 Movies List
Lawrence of Arabia is a 1962 British film based on the life of T. E. Lawrence. It was directed by David Lean and produced by Sam Spiegel through his British company, Horizon Pictures, with the screenplay by Robert Bolt and Michael Wilson. The film stars Peter O'Toole in the title role. It is widely considered one of the greatest and most influential films in the history of cinema. The dramatic score by Maurice Jarre and the Super Panavision 70 cinematography by Freddie Young are also highly acclaimed.
The film depicts Lawrence's experiences in Arabia during World War I, in particular his attacks on Aqaba and Damascus and his involvement in the Arab National Council. Its themes include Lawrence's emotional struggles with the personal violence inherent in war, his personal identity, and his divided allegiance between his native Britain and its army and his newfound comrades within the Arabian desert tribes.
* Peter O'Toole as Thomas Edward "T. E." Lawrence. Albert Finney, at the time a virtual unknown, was Lean's first choice to play Lawrence, but Finney was not sure the film would be a success and turned it down. Marlon Brando was also offered the part, and Anthony Perkins and Montgomery Clift were briefly considered, before O'Toole was cast.Alec Guinness had previously played Lawrence in the play Ross, and was briefly considered for the part, but David Lean and Sam Spiegel thought him too old. Lean had seen O'Toole in The Day They Robbed the Bank of England and was bowled over by his screen test, proclaiming "This is Lawrence!" Spiegel disliked O'Toole, having worked with him on Suddenly, Last Summer (where O'Toole was an understudy for Montgomery Clift and considered to take over his part after Clift's alcoholism caused problems), but acceded to Lean's demands after Finney and Brando dropped out. Pictures of Lawrence suggest also that O'Toole carried some resemblance to him, in spite of their considerable height difference. O'Toole's looks prompted a different reaction from Noël Coward, who after seeing the première of the film quipped "If you had been any prettier, the film would have been called Florence of Arabia"
* Alec Guinness as Prince Faisal. Faisal was originally to be portrayed by Laurence Olivier; Guinness, who performed in other David Lean films, got the part when Olivier dropped out. Guinness was made up to look as much like the real Faisal as possible; he recorded in his diaries that, while shooting in Jordan, he met several people who had known Faisal who actually mistook him for the late prince. Guinness said in interviews that he developed his Arab accent from a conversation he had with Omar Sharif.
* Anthony Quinn as Auda abu Tayi. Quinn got very much into his role; he spent hours applying his own makeup, using a photograph of the real Auda to make himself look as much like him as he could. One anecdote has Quinn arriving on-set for the first time in full costume, whereupon Lean, mistaking him for a native, asked his assistant to ring Quinn and notify him that they were replacing him with the new arrival.
* Jack Hawkins as General Allenby. Sam Spiegel pushed Lean to cast Cary Grant or Laurence Olivier (who was engaged at the Chichester Festival Theatre, and declined). Lean, however, convinced him to choose Hawkins due to his work for them on The Bridge on the River Kwai. Hawkins shaved his head for the role and reportedly clashed with David Lean several times during filming. Alec Guinness recounted that Hawkins was reprimanded by Lean for celebrating the end of a day's filming with an impromptu dance. Hawkins became close friends with O'Toole during filming, and the two often improvised dialogue during takes, much to Lean's dismay.
Omar Sharif as Sherif Ali ibn el Kharish
* Omar Sharif as Sherif Ali ibn el Kharish. The role was offered to many actors before Omar Sharif was cast. Horst Buchholz was the first choice, but had already signed on for the film One, Two, Three. Alain Delon had a successful screen test, but ultimately declined due to the brown contact lenses he would have had to wear. Maurice Ronet and Dilip Kumar were also considered. Sharif, who was already a major star in the Middle East, was originally cast as Lawrence's guide Tafas, but when the above actors proved unsuitable, Sharif was shifted to the part of Ali.
* José Ferrer as the Turkish Bey. Ferrer was initially unsatisfied with the small size of his part, and accepted the role only on the condition of being paid $25,000 (more than O'Toole and Sharif combined) plus a factory-made Porsche. However, he afterwards considered this his best film performance, saying in an interview: "If I was to be judged by any one film performance, it would be my five minutes in Lawrence." Peter O'Toole once said that he learned more about screen acting from Ferrer than he could in any acting class.
* Anthony Quayle as Colonel Harry Brighton. Quayle, a veteran of military roles, was cast after Jack Hawkins, the original choice, was shifted to the part of Allenby. Quayle and Lean argued over how to portray the character, with Lean feeling Brighton to be an honourable character, while Quayle thought him an idiot.
* Claude Rains as Mr. Dryden. Rains had previously worked with Lean on The Passionate Friends. Lean considered Rains one of his favourite actors and was happy to work with him again.
* Arthur Kennedy as Jackson Bentley. In the early days of the production, when the Bentley character had a more prominent role in the film, Kirk Douglas was considered for the part; Douglas expressed interest but demanded a star salary and the highest billing after O'Toole, thus being turned down by Spiegel. Later, Edmond O'Brien was cast in the part. O'Brien filmed the Jerusalem scene, and (according to Omar Sharif) Bentley's political discussion with Ali, but he became ill due to a heart attack on location and had to be replaced at the last moment by Kennedy, who was recommended to Lean by Anthony Quinn
* Donald Wolfit as General Murray. Wolfit was one of O'Toole's mentors.
* Michel Ray as Farraj. At the time, Ray was an up-and-coming Anglo-Brazilian actor, who had previously appeared in several films, including Irving Rapper's The Brave One and Anthony Mann's The Tin Star. This however would be one of his last roles. Ray, under the name Michel de Carvalho, later became a prominent British businessman and, through his wife, Charlene de Carvalho-Heineken, is the majority shareholder in the Heineken brewing company, worth over £8,000,000,000 sterling as of 2002.
* I.S. Johar as Gasim. Johar was a well-known Bollywood actor who occasionally appeared in international productions.
* Zia Mohyeddin as Tafas. Mohyeddin was one of Pakistan's best-known actors, and launched a successful stage career in London after this film's success. Most famously, he played Dr Aziz in the stage and TV adaptation of A Passage to India in the late 1960s.
* Gamil Ratib as Majid. Ratib was a veteran Egyptian actor. His English was not considered good enough, so he was dubbed by Robert Rietti in the final film.
* John Dimech as Daud. Dimech was a waiter from Malta. His only prior film appearance was in 1959's Killers of Kilimanjaro.
* Hugh Miller as the RAMC colonel. Miller worked on several of Lean's films as a dialogue coach, and was one of several members of the film crew to be given bit parts (see below).
* Fernando Sancho as the Turkish sergeant. A well-known Spanish actor, best remembered for his roles in many spaghetti Westerns.
* Stuart Saunders as the regimental sergeant major
* Jack Gwillim as the club secretary. A well-known English actor often playing supporting roles in British war films, Gwillim was recommended to Lean for the film by close friend Anthony Quayle.
* Kenneth Fortescue as Allenby's aide
* Harry Fowler as Corporal Potter
* Howard Marion-Crawford as the medical officer. Marion-Crawford was cast at the last possible minute, during the filming of the "Damascus" scenes in Seville.
* John Ruddock as Elder Harith. Ruddock was a noted Shakespearean actor.
* Norman Rossington as Corporal Jenkins
* Jack Hedley as a reporter
* Henry Oscar as Silliam, Faisal's servant. Oscar frequently played ethnic parts, including the Sudanese doctor in The Four Feathers (1939).
* Peter Burton as a Damascus Sheik
Various members of the film's crew portrayed minor characters. First assistant director Roy Stevens played the truck driver who transports Lawrence and Farraj to the Cairo HQ at the end of Act I; the Sergeant who stops Lawrence and Farraj ("Where do you think you're going to, Mustapha?") is construction assistant, Fred Bennett; and screenwriter Robert Bolt has a wordless cameo as one of the officers watching Allenby and Lawrence confer in the courtyard (he is smoking a pipe). David Lean can be heard as the voice of the motorcycle driver asking Lawrence "Who are you?" at the Suez Canal.
The film is unusual in that it has no women in credited speaking roles.
* T. E. Lawrence
* Prince Faisal
* Auda ibu Tayi
* General Allenby
* General Murray
* Farraj and Daud, Lawrence's servants
* Gasim, the man Lawrence rescues from the desert
* Talal, the man who charges the Turkish column at Tafas
* Sherif Ali – A combination of numerous Arab leaders, particularly Sharif Nassir—Faisal's cousin—who led the Harith forces involved in the attack on Aqaba. The character was created largely because Lawrence did not serve with any one Arab leader (aside from Auda) throughout the majority of the war; most such leaders were amalgamated in Ali's character. This character was, however, almost certainly named after Sharif Ali ibn Hussein, a leader in the Harith tribe, who played a part in the Revolt and is mentioned and pictured in T.E. Lawrence's memoir Seven Pillars of Wisdom.
* Mr Dryden – The cynical Arab Bureau official, was based loosely on numerous figures, including Sir Ronald Storrs, who was head of the Arab Bureau and later the governor of Palestine. It was largely Storrs' doing that Lawrence first met Faisal and became involved with the Revolt. This character is also partially based upon Lawrence's archaeologist friend, D.G. Hogarth, as well as Mark Sykes and Henry McMahon, who historically fulfilled Dryden's role as a political liaison. He was created by the screenwriters to "represent the civilian and political wing of British interests, to balance Allenby's military objectives."
* Colonel Brighton – In essence a composite of all of the British officers who served in the Middle East with Lawrence, most notably Lt. Col. Stewart F. Newcombe. Newcombe played much the same role as Brighton does in the film, being Lawrence's predecessor as liaison to the Arab Revolt; he and many of his men were captured by the Turks in 1916, though he later escaped. Also, like Brighton, Newcombe was not well liked by the Arabs, though he remained friends with Lawrence. (In Michael Wilson's original script, he was Colonel Newcombe; the character's name was later changed by Robert Bolt.) Brighton was apparently created to represent how ordinary British soldiers would feel about a man like Lawrence: impressed by his accomplishments but repulsed by his affected manner. (Lean argued that Brighton was "the only honourable character" in the film, whereas Anthony Quayle referred to his character as an "idiot".)
* Turkish Bey – The Turkish Bey who captures Lawrence in Daraa was—according to Lawrence himself—General Hajim Bey (in Turkish, Hacim Muhiddin Bey), though he is not named in the film. Though the incident was mentioned in Lawrence's autobiography Seven Pillars of Wisdom, a few historians have conjectured that this event never happened. This is not the view of Jeremy Wilson, The Authorised Biography of T. E. Lawrence or the author of the Pulitzer Prize-winning biography A Prince of Our Disorder, John E. Mack, .
* Jackson Bentley – Based on famed American journalist Lowell Thomas, who helped make Lawrence famous with accounts of his bravery. However, Thomas was at the time a young man who spent only a few days (or weeks at most) with Lawrence in the field – unlike Bentley, who is depicted as a cynical middle-aged Chicago newspaperman who is present during the whole of Lawrence's later campaigns. Bentley was the narrator in Michael Wilson's original script, but Robert Bolt reduced his role significantly for the final script. Thomas did not start reporting on Lawrence until after the end of World War I, and held Lawrence in high regard, unlike Bentley, who seems to hold him in contempt.
* Tafas – Lawrence's guide to Faisal is based on his actual guide, Sheikh Obeid el-Rashid, of the Hazimi branch of the Beni Salem, whom Lawrence referred to as Tafas several times in Seven Pillars. Tafas and Lawrence did meet Sherif Ali at a well during Lawrence's travels to Faisal, but the encounter was not fatal for either party. (Indeed, this scene would create much controversy amongst Arab viewers.)
* Medical officer – This unnamed officer who confronts Lawrence in Damascus is based on an actual incident in Seven Pillars of Wisdom. Lawrence's meeting the officer again while in British uniform was, however, an invention of Wilson or Bolt.
Monday, July 2, 2012
The Wizard of Oz (70th Anniversary Edition) [Blu-ray]
#6 (1998) and #10 (2007) on the AFI List of 100 Top Movies
The Wizard of Oz is a 1939 American musical fantasy film produced by Metro-Goldwyn-Mayer. It was directed primarily by Victor Fleming. Noel Langley, Florence Ryerson and Edgar Allan Woolf received credit for the screenplay, but there were uncredited contributions by others. The lyrics for the songs were written by E.Y. Harburg, the music by Harold Arlen. Incidental music, based largely on the songs, was by Herbert Stothart, with borrowings from classical composers.
Based on the 1900 children's novel, The Wonderful Wizard of Oz by L. Frank Baum, the film stars Judy Garland, Ray Bolger, Jack Haley, Bert Lahr, and Frank Morgan, with Billie Burke, Margaret Hamilton, Charley Grapewin, Clara Blandick and the Singer Midgets as the Munchkins. Notable for its use of special effects, Technicolor, fantasy storytelling and unusual characters, It has become, over the years, one of the best known of all films. It is far and away the best-known version of L. Frank Baum's book, perhaps even eclipsing the fame of the novel itself.
Although it received largely positive reviews, won two Academy Awards, and was nominated for Best Picture of the Year (losing to Gone with the Wind), it was initially a box office failure. The film was MGM's most expensive production up to that time, but its initial release failed to recoup the studio's investment. Subsequent re-releases made up for that, however. "Over the Rainbow" won the Academy Award for Best Original Song and the film itself received several Academy Award nominations.
Telecasts of it began in 1956, re-introducing the film to the public and eventually becoming an annual tradition, making it one of the most famous films ever made. The film was named the most-watched motion picture in history by the Library of Congress, is often ranked among the Top 10 Best Movies of All Time in various critics' and popular polls, and is the source of many memorable quotes referenced in modern popular culture.
* Judy Garland as Dorothy Gale
* Frank Morgan as Professor Marvel / Doorman / Cabbie / Guard / The Wizard
* Ray Bolger as Hunk / Scarecrow
* Jack Haley as Hickory / Tin Man
* Bert Lahr as Zeke / Cowardly Lion
* Billie Burke as Glinda the Good Witch of the North
* Margaret Hamilton as Miss Almira Gulch / The Wicked Witch of the West
* Clara Blandick as Aunt Em
* Charley Grapewin as Uncle Henry
* Pat Walshe as Nikko (the Head Flying Monkey)
* Terry as Toto (Credited as Toto in the film)
* The Singer Midgets as the Munchkins
* Mitchell Lewis as the Winkie Guard' Captain (uncredited)
None of the Singer Midgets' actual voices are heard in the film; their vocalizations were dubbed by professional singers and voice actors, including Pinto Colvig, Abe Dinovitch and Billy Bletcher, and singing groups The King's Men, The Debutantes and Ken Darby Singers. Although the Wicked Witch's guards spoke their own dialogue, their singing was also dubbed by others and was slowed down. Adriana Caselotti voiced Juliet, and Abe Dinovitch & Candy Candido voiced the Apple Trees.
Pat Walshe was the last surviving significant member of the cast when he died in December 1991, aged 91. Meinhardt Raabe was one of the last surviving Munchkin actors, and the last surviving cast member with any dialogue when he died in April 2010, aged 94
All of the Oz sequences were filmed in three-strip Technicolor. The opening and closing credits, as well as the Kansas sequences, were filmed in black and white and colored in a sepia tone process. Sepia-toned film was also used in the scene where Aunt Em appears in the Wicked Witch's crystal ball.
In his book The Wonderful Wizard of Oz, Baum describes Kansas as being 'in shades of gray'. Further, Dorothy lived inside a farmhouse which had its paint blistered and washed away by the weather, giving it an 'air of grayness'. The house and property were situated in the middle of a sweeping prairie where the grass was burnt gray by harsh sun. Aunt Em and Uncle Henry were 'gray with age'. Effectively, the use of monochrome sepia tones for the Kansas sequences was a stylistic choice that evoked the dull and gray countryside. Much attention was given to the use of color in the production, with the MGM production crew favoring some hues over others. Consequently, it took the studio's art department almost a week to settle on the final shade of yellow used for the Yellow Brick Road
Sunday, July 1, 2012
The Graduate (Special Edition)
#7 (1998) and #17 (2007) in the AFI Top 100 Movies List
The Graduate is a 1967 American comedy-drama motion picture directed by Mike Nichols. It is based on the 1963 novel The Graduate by Charles Webb, who wrote it shortly after graduating from Williams College. The screenplay was by Buck Henry, who makes a cameo appearance as a hotel clerk, and Calder Willingham. The film tells the story of Benjamin Braddock (played by Dustin Hoffman), a recent university graduate with no well-defined aim in life, who is seduced by an older woman, Mrs. Robinson (Anne Bancroft), and then proceeds to fall in love with her daughter Elaine (Katharine Ross).
In 1996, The Graduate was selected for preservation in the U.S. National Film Registry as being "culturally, historically, or aesthetically significant". Initially, the film was placed at #7 on AFI's 100 Years... 100 Movies list in 1998. However, when AFI revised the list in 2007, the film was moved to #17.
Adjusted for inflation, the film is #21 on the list of highest-grossing films in the United States and Canada.
* Anne Bancroft as Mrs. Robinson
* Dustin Hoffman as Benjamin Braddock
* Katharine Ross as Elaine Robinson
* William Daniels as Mr. Braddock
* Murray Hamilton as Mr. Robinson
* Elizabeth Wilson as Mrs. Braddock
* Buck Henry as Hotel Clerk
* Brian Avery as Carl Smith
* Norman Fell as Mr. McCleery
* Marion Lorne as Singleman party guest
* Alice Ghostley as Singleman party guest
* Mike Farrell as a bellhop at the hotel
* Richard Dreyfuss as Boarding House Resident
* Ben Murphy as the shaving student in the fraternity house
* Kevin Tighe as Carter, Carl Smith's fraternity brother
* Eve McVeagh as party guest
* Hamilton Camp as Second Hotel Clerk
* Donald F. Glut as College Student
The film boosted the profile of folk-rock duo Simon & Garfunkel, whose soundtrack album The Graduate, on the strength of the hit single "Mrs. Robinson", rose to the top of the charts in 1968 (knocking off The Beatles' White Album). However, the version that appears in the film is markedly different from the hit single version, which would not be issued until Simon and Garfunkel's next album, Bookends. The actual film version of "Mrs. Robinson" does appear on The Graduate soundtrack LP.
According to a Variety article by Peter Bart in the 15 May 2005 issue, Nichols had become obsessed with Simon & Garfunkel's music while shooting the film. Lawrence Turman, his producer, made a deal for Simon to write three new songs for the movie. By the time they had nearly finished editing the film, Simon had only written one new song. Nichols begged him for more but Simon, who was touring constantly, told him he didn't have the time. He did play him a few notes of a new song he had been working on; "It's not for the movie... it's a song about times past — about Mrs. Roosevelt and Joe DiMaggio and stuff." Nichols advised Simon, "It's now about Mrs. Robinson, not Mrs. Roosevelt."